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Rachel Whiteread at Tate Britain

18/09/2017

Rachel Whiteread Talks To Sue Hubbard About Her New Exhibition At Tate Britain Trying to get hold of Rachel Whiteread to talk about her new exhibition at Tate Britain, her largest to date, is

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Matisse: Cultural Appropriation And His Studio

05/09/2017

Matisse: Cultural Appropriation And His Studio Review by Sue Hubbard The artist’s studio is both a practical workshop and the workshop of the mind, a place of reflection and play,

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Working Out a Way Things Might Matter: On the Writing of Stuart Morgan

22/07/2017

Working Out a Way Things Might Matter: On the Writing of Stuart Morgan Chris Fite-Wassilak If I can begin the long way, in my research for this piece I was

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Review: Wolfgang Tillmans 2017 at Tate Modern

21/03/2017

Wolfgang Tillmanns: 2017 Tate Modern, London until 11 June 2017 Review by Sacha Craddock   In this exhibition of work made mainly after 2003 Tillmans guarantees that image and experience

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Letter from Cuba

01/12/2016

In the wake of Hurricane Matthew and Cuba’s brush with disaster in early October (only the country’s eastern edge caught the full power of the winds that decimated nearby Haiti),

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Post-Perspectival Art and Politics in Post-Brexit Britain: (Towards a Holistic Relativism)

20/11/2016

Post-Perspectival Art and Politics in Post-Brexit Britain: (Towards a Holistic Relativism) by Paul O’Kane At a Parliament Square rally held this summer in the immediate aftermath of the EU Referendum, several

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S&I Review – Alternative investor: Art

01/09/2016

Marjorie Allthorpe-Guyton responds to questions on art as investment. Article republished with permission from the CISI (Chartered Institute for Securities and Investment)   Read the original online or click on the title below

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Paul O’Kane on London’s Gasworks

27/10/2015

On the occasion of Gasworks‘ re-opening after a period of renovation, artist and critic Paul O’Kane visits the space and remembers its influence on his career and outlook. As part

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Paul O’Kane in Korea: AICA International Congress Report

10/11/2014

2014 AICA INTERNATIONAL CONGRESS KOREA by Paul O’Kane Seoul is a mega-city, and joining its morning rush to attend the AICA congress provides clear echoes of scenes from Fritz Lang’s

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Critics’ Forum Report

30/09/2014

On July 5th 2014, AICA and the Liverpool Biennial held a public forum at The Bluecoat, asking ‘How do critics work? Who do they write for?’ Chaired by independent curator

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Members News

Honour for AICA Executive member Ingrid Swenson

12/06/2018

Ingrid Swenson, director of PEER has been honoured with an MBE for Services to the Arts in East London in the Queen’s Birthday Honours List 2018. Over the past two

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John Kiki: Fifty Years in the Figurative Fold   

02/06/2018

New monograph published by AICA member Keith Roberts John Kiki: Fifty Years in the Figurative Fold          John Kiki is an English figurative painter with deep roots in the

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To whom it was given

02/06/2018

CHRIS FITE-WASSILAK SOPHIE MALLETT 9 June – 1 July Bickford Smith Institute, Cliff Road, Porthleven TR13 9EY Opening hours: Thursday to Sunday, 10.30am – 4.30pm To whom it was given |

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AICA Summer Party – Tuesday 26 June 

02/06/2018

Hold the Date AICA Summer Party Tuesday 26 June  Members are warmly invited to the AICA Summer Meeting (OGM) followed by the Summer Party Tuesday 26 June Ordinary General Meeting

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Next Bar AICA – Save the Date

02/06/2018

BAR AICA TALKING EXHIBITIONS Tuesday 10 July 6 pm  +  Drinks Upstairs at THE CROWN 51 New Oxford Street WC1 1BL (next to the umbrella shop…. not the other Crown!)  

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MoCA-CC

02/06/2018

Hugh Pilkington for Sir Samuel and Lady Roberts presents: MoCA-CC Selections from the permanent collection New acquisitions and temporary exhibitions Saturday 2 June, 6-8pm drinks Sunday 3 June, 11-1 and

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Call for Submissions to the Fifth International Awards for Art Criticism (IAAC 5), 2018

15/05/2018

The International Awards for Art Criticism Ltd. (IAAC) launches the fifth edition of their Awards this month (IAAC 5) and will announce their new competition rules, awards system and members

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Job: Lecturer in Taught Courses in History & Theory of Art at the Slade

15/05/2018

UCL Department / Division Slade School of Fine Art London Full Time (Job share considered) Salary (inclusive of London allowance) Grade 7: £38,581 – £41,864 per annum Grade 8: £43,023 –

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What critics owe to artists

12/05/2018

Tuesday 22nd of May 6.30-8pm To celebrate the launch of the IAAC 4 publication & the prize announcement for the – The RCA presents: “What critics owe to artists” Philomena Epps / Emily

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Canadian Cultural Centre in Paris donates 25 Years of Archival Material to the Archives of Art Criticism in Rennes, France

12/05/2018

On 17 May, the Canadian Cultural Centre inaugurated its new space at 130 rue du Faubourg Saint-Honoré, in the 8th arrondissement in Paris. From now on will it will work

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