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Rachel Whiteread at Tate Britain

18/09/2017

Rachel Whiteread Talks To Sue Hubbard About Her New Exhibition At Tate Britain Trying to get hold of Rachel Whiteread to talk about her new exhibition at Tate Britain, her largest to date, is

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Matisse: Cultural Appropriation And His Studio

05/09/2017

Matisse: Cultural Appropriation And His Studio Review by Sue Hubbard The artist’s studio is both a practical workshop and the workshop of the mind, a place of reflection and play,

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Working Out a Way Things Might Matter: On the Writing of Stuart Morgan

22/07/2017

Working Out a Way Things Might Matter: On the Writing of Stuart Morgan Chris Fite-Wassilak If I can begin the long way, in my research for this piece I was

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Review: Wolfgang Tillmans 2017 at Tate Modern

21/03/2017

Wolfgang Tillmanns: 2017 Tate Modern, London until 11 June 2017 Review by Sacha Craddock   In this exhibition of work made mainly after 2003 Tillmans guarantees that image and experience

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Letter from Cuba

01/12/2016

In the wake of Hurricane Matthew and Cuba’s brush with disaster in early October (only the country’s eastern edge caught the full power of the winds that decimated nearby Haiti),

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Post-Perspectival Art and Politics in Post-Brexit Britain: (Towards a Holistic Relativism)

20/11/2016

Post-Perspectival Art and Politics in Post-Brexit Britain: (Towards a Holistic Relativism) by Paul O’Kane At a Parliament Square rally held this summer in the immediate aftermath of the EU Referendum, several

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S&I Review – Alternative investor: Art

01/09/2016

Marjorie Allthorpe-Guyton responds to questions on art as investment. Article republished with permission from the CISI (Chartered Institute for Securities and Investment)   Read the original online or click on the title below

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Paul O’Kane on London’s Gasworks

27/10/2015

On the occasion of Gasworks‘ re-opening after a period of renovation, artist and critic Paul O’Kane visits the space and remembers its influence on his career and outlook. As part

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Paul O’Kane in Korea: AICA International Congress Report

10/11/2014

2014 AICA INTERNATIONAL CONGRESS KOREA by Paul O’Kane Seoul is a mega-city, and joining its morning rush to attend the AICA congress provides clear echoes of scenes from Fritz Lang’s

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Critics’ Forum Report

30/09/2014

On July 5th 2014, AICA and the Liverpool Biennial held a public forum at The Bluecoat, asking ‘How do critics work? Who do they write for?’ Chaired by independent curator

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Members News

Charles Rennie Mackintosh Making the Glasgow Style

21/04/2018

Kelvingrove Art Gallery & Museum  30th March – 14th August 2018 2018 is the 150th anniversary of the birth of celebrated Glasgow architect, designer and artist Charles Rennie Mackintosh (1868–1928).

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Viewpoints, a group show curated by Anna McNay

14/04/2018

Viewpoints Espacio Gallery 17th-22nd April This sixth show of the Rooftop Collective (est. 2010) showcases work by The Rooftop Collective Members:  Chris King – Paul Clifford  – Toby Deveson -Tom Owens – Graham Matthews – Jeremy

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Balraj Khanna: The Great Wall of Small is Beautiful

14/04/2018

Balraj Khanna: The Great Wall of Small is Beautiful Jerwood Gallery, Hastings 21 April – 8 July 2018 An exhibition of new work by the influential Indian artist Balraj Khanna will be on

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Gillian Ayres: My Fiercely independent Friend

14/04/2018

Gillian Ayres: My Fiercely Independent Friend, by Sue Hubbard Yesterday the art world not only lost one of its finest and most loved abstract painters, but I lost a great

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Crítica de Arte: Crisis y Renovacíon/Crisis and Renewal

09/04/2018

Critic of Art: Crisis and Renewal International Congress 21,22,23 June Museo Nacional Centro de Arte Reina Sofía, Madrid To criticize is to form a judgment and an opinion about an

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The Hepworth Wakefield announces Alice Rawsthorn as new Chair of the Board

09/04/2018

The Trustees of The Hepworth Wakefield have appointed internationally acclaimed design critic, Alice Rawsthorn OBE as the new Chair of The Hepworth Wakefield. Rawsthorn will take up the role in

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Job: Gallery Manager, Jerwood Visual Arts

30/03/2018

Full time permanent contract, Monday to Friday Salary: £26,000 – £30,000 Application deadline: 5pm, Mon 23 April 2018 Jerwood Visual Arts is a national programme supporting visual arts practice, through which

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AICA UK Glasgow: Oh, What a Blow that Phantom Gave Me!

30/03/2018

AICA UK Glasgow Oh, What a Blow that Phantom Gave Me! During Glasgow International 2018    a panel exploring and embodying experimental art criticism convened by Maria Fusco supported by

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Obituary: Thomas Frangenberg

25/03/2018

The Renaissance art historian and collector of contemporary art Thomas Frangenberg died on 12 March at the age of 60. After studying art history, archaeology and early Christian archaeology at

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The International Review of Contemporary Art Criticism – #49 autumn/winter 2017

23/03/2018

Created in 1993, « CRITIQUE D’ART » is both a tool for researcher on art of the 20th and 21th centuries and a reading guide. Print journal – Bilingual – 16 € Reviews on

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