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Rachel Whiteread at Tate Britain

18/09/2017

Rachel Whiteread Talks To Sue Hubbard About Her New Exhibition At Tate Britain Trying to get hold of Rachel Whiteread to talk about her new exhibition at Tate Britain, her largest to date, is

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Matisse: Cultural Appropriation And His Studio

05/09/2017

Matisse: Cultural Appropriation And His Studio Review by Sue Hubbard The artist’s studio is both a practical workshop and the workshop of the mind, a place of reflection and play,

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Working Out a Way Things Might Matter: On the Writing of Stuart Morgan

22/07/2017

Working Out a Way Things Might Matter: On the Writing of Stuart Morgan Chris Fite-Wassilak If I can begin the long way, in my research for this piece I was

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Review: Wolfgang Tillmans 2017 at Tate Modern

21/03/2017

Wolfgang Tillmanns: 2017 Tate Modern, London until 11 June 2017 Review by Sacha Craddock   In this exhibition of work made mainly after 2003 Tillmans guarantees that image and experience

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Letter from Cuba

01/12/2016

In the wake of Hurricane Matthew and Cuba’s brush with disaster in early October (only the country’s eastern edge caught the full power of the winds that decimated nearby Haiti),

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Post-Perspectival Art and Politics in Post-Brexit Britain: (Towards a Holistic Relativism)

20/11/2016

Post-Perspectival Art and Politics in Post-Brexit Britain: (Towards a Holistic Relativism) by Paul O’Kane At a Parliament Square rally held this summer in the immediate aftermath of the EU Referendum, several

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S&I Review – Alternative investor: Art

01/09/2016

Marjorie Allthorpe-Guyton responds to questions on art as investment. Article republished with permission from the CISI (Chartered Institute for Securities and Investment)   Read the original online or click on the title below

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Paul O’Kane on London’s Gasworks

27/10/2015

On the occasion of Gasworks‘ re-opening after a period of renovation, artist and critic Paul O’Kane visits the space and remembers its influence on his career and outlook. As part

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Paul O’Kane in Korea: AICA International Congress Report

10/11/2014

2014 AICA INTERNATIONAL CONGRESS KOREA by Paul O’Kane Seoul is a mega-city, and joining its morning rush to attend the AICA congress provides clear echoes of scenes from Fritz Lang’s

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Critics’ Forum Report

30/09/2014

On July 5th 2014, AICA and the Liverpool Biennial held a public forum at The Bluecoat, asking ‘How do critics work? Who do they write for?’ Chaired by independent curator

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Members News

Seeing ‘Ways of Seeing’

07/10/2017

Ways of Seeing (BBC, 1972) was a groundbreaking television series introducing a broad audience to new ways of understanding art and society. It has been used ever since in arts teaching

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Katia Kameli: Ritournelle

07/10/2017

21 October 2017 to 15 January 2018 In recent years Newcastle upon Tyne has been at the forefront of the imperative to welcome asylum seekers and refugees to Britain. Art+ChristianityEnquiry

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Going along without a body: A Comment on the Sound Track Ritual

07/10/2017

Going along without a body: A Comment on the Sound Track Ritual Anne Tallentire + Cath Roberts (LUME) + Rachael Finney + David Raymond Conroy + Claire Feeley + Libita

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KB17 KARACHI BIENNALE

30/09/2017

KB17 KARACHI BIENNALE PAKISTAN’S LARGEST INTERNATIONAL CONTEMPORARY ART EVENT OCTOBER 22 – NOVEMBER 5 2017   Opening: Saturday, October 21, 2017, 5:00pm – 8:30pm Venue: NJV School, M.A. Jinnah Road, Karachi   Exhibition

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Poor Art | Arte Povera: Italian Influences, British Responses

30/09/2017

Poor Art | Arte Povera: Italian Influences, British Responses Estorick Collection of Modern Italian Art 20 September 2017 – 17 December 2017 Arte Povera emerged in Italy in the tumultuous

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Prigov is dead. Long live Dmitri Aleksanych!

30/09/2017

Prigov is dead. Long live Dmitri Aleksanych! Monday 20 November 2017 2:00 pm – 6:00 pm Research Forum Seminar Room, The Courtauld Institute of Art, Somerset House, Strand, London, WC2R

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Introduction to Global Art: The New East

30/09/2017

Introduction to Global Art The New East Whitechapel Gallery Fri 20 – Sun 22 Oct 2017 Whatever happened to ‘Eastern Europe’? Join us for an intensive 3-day-course as we take

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Poetic Performance: The Script and the Voice

30/09/2017

Poetic Performance: The Script and the Voice Monday 20 November 2017 6:30 pm – 8:00 pm Kenneth Clark Lecture Theatre, The Courtauld Institute of Art, Somerset House, Strand, London, WC2R

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The Critic as Artist

20/09/2017

Reading International You are invited to the opening of ‘The Critic as Artist’ alongside a full day of readings, performances and events to launch Reading International’s autumn 2017 season. Saturday 7 October 2017

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THE VIGOROUS IMAGINATION

18/09/2017

THE VIGOROUS IMAGINATION,  Then & Now: 30-Years On. The  Fine Art Society, Edinburgh  Roger Billcliffe Gallery, Glasgow, opening October 26th & 27th 2017.  This year marks the 30th anniversary of the ground-breaking exhibition ‘The Vigorous Imagination: New Scottish

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