Dr. Alfredo Cramerotti is Director of MOSTYN Wales; Advisor to the British Council Visual Arts Acquisition Committee and the Art Institutions of the 21st Century Foundation. He serves as Vice-President and Executive Committee Member of AICA–International Association of Art Critics, and is Member of the IKT–International Association of Curators of Contemporary Art and CIMAM–International Committee for Museums and Collections of Modern Art, part of ICOM.
In addition to his institutional role, in recent years Cramerotti curated the ongoing exhibition project Ideal-Types (Amsterdam 2018, Venice 2019); Sean Scully: Standing on the Edge of the World at the Hong Kong Arts Centre (2018); Shezad Dawood: Leviathan with the Fondazione Querini Stampalia in conjunction with the 57th Venice Biennale (2017); EXPO VIDEO Chicago (2015); three national pavilions at the Venice Biennale (Mauritius in 2015, Wales and Maldives in 2013); and the biennials Sequences VII in Iceland (2015) and Manifesta 8 in Spain (2010).
He holds a PhD in Communication Design and Photography from the University of South Wales, Cardiff (UK), and is Editor of the Critical Photography book series, and has had over 200 texts published on art and curatorial practice, contributing to a large number of books, catalogues and monographs. His own publications include The Curator’s Book (2020); Forewords: Hyperimages and Hyperimaging (2018); Unmapping the City: Perspectives of Flatness (2010); and Aesthetic Journalism: How to inform without informing (2009).
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